I used the rosin both in a recital and concerto settings.My impression of it was that this rosin makes my violin sound richer: almost as if the sound can carve through the air. It’s perfectly suited for a soloist, giving your sound almost a Guarneri-like, thick, strong, and fast-spinning quality. It helps not only to make you sound stronger, but it gives your sound more dimension, and with very little effort on your end. I used the word ‘rich’ before, but that’s the best descriptor for it: it truly does make you sound full-bodied.This rosin gives me the grip I’d been looking for. Usually, I’m afraid that a rosin like this would ruin my sound if I apply too much of it, but this rosin took away all of those fears. It makes me sound more powerful, allows me to project farther, and the sound remains grounded and echoes more powerfully through the space. It does require practice and skill to be able to play to the caliber of this rosin, but it gives the same kind of excitement I’d feel when I have a beautiful Stradivarius or Guarneri in my hands. The rosin also feels quite stable when I bring it with me on-stage. It’s difficult to explain, but since rosin is very delicate, I think having something that feels stable and steadfast takes a lot of stress off of the soloist.I’ll definitely be using this in the future! Thank you so much.
Violin: Antonio Stradivari, 1699
Mayu Kishima - International Violin Soloist